Reviews

Duck Pond review: This circus mash up of ‘Swan Lake’ and the ugly duckling is a seasonal treat (Time Out, December 2024)

Robin Hood and the Christmas Heist review: Chris Bush's show has an enjoyable political bite (Time Out, December 2024)

Why Am I So Single? review: A second hit from the Six the Musical geniuses (The i, September 2024)

The Years review: This Annie Ernaux adaptation is a unique, profoundly moving experience (The Independent, August 2024)

Fangirls review, Lyric Hammersmith: There's nothing else in London theatres like it (The i, July 2024)

My Father's Fable, Bush Theatre review: Rakie Ayola is superb (Time Out, June 2024)​

A View from the Bridge review: Dominic West’s spark is missing (The i, June 2024)​

Multiple Casualty Incident, The Yard Theatre (Time Out, May 2024)​

The Crown Jewels review: Royal comedy is lacklustre, but Al Murray and Mel Giedroyc still sparkle (July 2023)​

A Strange Loop review: A musical within a musical that you can never second guess (June 2023)​

August in England review: Lenny Henry’s Windrush play is punchy and poignant (May 2023)​

Retrograde review: Ryan Calais Cameron cements himself as one of theatre’s most thrilling voices (April 2023)​

Guys and Dolls review: You’ll struggle to find a classier revival (March 2023)​

The Great British Bake Off Musical review: Sweet songs and silly jokes, but the puns are overdone (March 2023)​

2:22 A Ghost Story review: Cheryl the actor has arrived – and she’s frightfully good (February 2023)​

Dolly Parton’s Smoky Mountain Christmas Carol review: Tennessee-based Dickens retelling is heavy on the cheese (December 2022)​

I, Joan review: Funny, fierce non-binary Joan of Arc proves sceptics wrong (September 2022)​

My Fair Lady review: Amara Okereke shines as Eliza Doolittle in Bartlett Sher’s glossy musical (May 2022)​

Middle review: David Eldridge play explores the mundanity of married life (May 2022)​

Daddy review: Jeremy O Harris’s play is nothing short of a masterpiece (April 2022)​

Straight Line Crazy review: David Hare’s new historical drama is unsubtle and sluggish (March 2022)​

Cock review: Jonathan Bailey captivates as Taron Egerton’s sexually conflicted lover (March 2022)​

Red Pitch review: Tyrell Williams’s debut play celebrates friendship in the face of gentrification (February 2022)​

One-Woman Show review: Liz Kingsman skewers the ‘messy woman’ with deliciously disorienting defiance (January 2022)​

The Glow review: A bold supernatural epic that morphs into Doctor Who (January 2022)​

Fatal Attraction review: Kym Marsh holds together a confused production (January 2022)​

Operation Mincemeat review: A glittering Second World War musical that is funnier than Hamilton (January 2022)​

Best of Enemies review: Pushes the boundaries of what can be done on stage (December 2021)​

A Chorus Line review: Innovative in unexpected ways (December 2021)​

String v SPITTA review: A premise so ingenious it’s hard to believe it hasn’t been done before (December 2021)​

Rare Earth Mettle review: A bloated three hours of incoherence (November 2021)​

little scratch review: Katie Mitchell breathes life into Rebecca Watson’s experimental novel (November 2021)​

The Drifters Girl review: Beverley Knight shines within weakly scripted jukebox musical (November 2021)​

’Night, Mother review: Stockard Channing returns to the London stage in darkly comic drama (October 2021)​

Mum review: Morgan Lloyd Malcolm paints a devastating picture of perinatal depression (October 2021)​

Athena review, Yard Theatre: A witty, enthralling fencing comedy (October 2021)​

What If If Only review: Caryl Churchill explores grief and madness in 17 minutes (October 2021)​

curious review: Jasmine Lee-Jones searches for history and finds her voice (September 2021)​

Is God Is review: Bizarre, beautiful revenge tale is a technical triumph (September 2021)​

Cinderella review: Andrew Lloyd Webber’s musical is high-camp fun with a muddled message (August 2021)​

Shedding a Skin review: Amanda Wilkin is a sensation as a woman on the brink of a breakdown (June 2021)